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The story isn’t deep or particularly original, but it is engaging enough to make us feel like we have some skin in the fights. Of course, that seemed to be the case with the first Raid film too, and Berandal managed it. ConclusionĪssuming Evans follows through and completes the proposed trilogy (and assuming Iko Uwais doesn’t break his neck while filming yet another brutal and incredible fight), it will be difficult to top the action in this film. The two Raid films may end up having the same resonance, but only time will tell. His work is reminiscent of John Woo during the height of his Chinese film dominance, when movies like The Killer and Hard Boiled made their way around the world and influenced countless action films to come. Gareth Evans continues to up the ante in Berandal, and he is proving to be one of the best action directors around. Berandal keeps pushing the limits of action movies, over and over again, with fights that are insane and visually stunning. But that just goes to the nature of the film.
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There’s also the common action movie foible where the main character seems to have a cheat code that grants them unlimited stamina, even after dozens of fights in a row. These instances are somewhat rare, but watching the multiple 10-minute action sequences can be exhausting. There are a few moments where the action goes on a bit too long, though. Each fight is different and unique as a result. Most films have one or two characters like this – Berandal is comparatively saturated with them. A machete wielding assassin, a girl that favors dual claw hammers, and her brother whose signature is a baseball bat are just a few of the characters at work. Small battles from the first are replaced by epic ones, and many of the combatants in Berandal are much more memorable and vicious.
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Where, in Redemption, one of the highlights was Rama fighting a hallway full of enemies, in the first few minutes of Berandal, Rama fights a hoard twice the size – and it just gets crazier from there. And the action is where the movie not only succeeds, it flat out dominates. Each new character introduced, each new plot twist revealed, all feed into the action that holds the film together. The sequel’s story is still generic, but compared to the first Raid, the story in Berandal is a Shakespearean tragedy. That frees Berandal to explore its action DNA, but this time you’ll at least know the names of the characters fighting, and understand who they are fighting for. You’ll never have to worry about the film digging too deeply into ethics. There are no real questions of morality or loyalty. The Raid was not known for sentiment, and that’s the case here too. The story is familiar to the crime drama genre, and has played out in countless films before. When things explode, he finds himself forced to fight his way out. Rama stays undercover and becomes a supporting character in a brewing war in the Jakarta underworld. Once released, Uco brings Rama into the family as thanks for keeping him alive. There he meets Uco (Arifin Putra), the son of feared crime boss Bangun (Tio Pakusadewo) and a target for other inmates looking to make a name for themselves. He reluctantly agrees in order to keep his family safe, which sends him undercover in a local prison as an inmate. The Raid sequel begins hours after the conclusion of the first film, with Rama (Iko Uwais) taken in by a clandestine police division that wants his help brining down corrupt cops throughout the city of Jakarta. It’s largely there for emphasis rather than gratuitousness, and the choreography retains the balletic qualities that defined the first.īerandal preserves all the elements of the Redemption that worked, and fixes many that didn’t – most of which relate to story and character development. But the gore is generally a small part of the action. Ever wonder what a shotgun blast fired from a foot away would do to a person? Hopefully not, but that – and many other bloody questions – are answered in Berandal. There are still plenty of brutal and artfully shot moments of violence, and Berandal is not a film for the squeamish. The stakes are higher, and so is the scale. Where the original film featured a single drug lord, in Berandal we meet his boss and several other players in the Jakarta underworld. If Redemption was a martial arts-infused action flick, Berandal is martial arts-infused crime drama. If Redemption was a martial arts-infused action flick, Berandal is martial arts-infused crime drama.Director Garth Evans claimed he always envisioned Raid as a trilogy, with each film expanding the world introduced in the previous, and Berandal does just that.
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